look after countless this episode, I know that Amanda is Linkhänderin that the funny bones in contrast to her mistress again in flowered fabric strikes and that Sam and Dean have only tie with stripes and then tie with diamonds.
I've never done a proper meta, but I guess if you are already Sun remembers this stuff, you can not quite be on the wooden path ^___^ (or one is simply the shortest way to be a freak XD)
Malleus Maleficarum is rich in interpretierwürdiger symbols and details, so this meta everything else will be as complete. You will deal with the perspectives, the symbolism of numbers, color symbolism, the use of light, normal symbolism and a small crack element.
I begin with the perspectives:
Spn Many sequences are subjectively colored, ie, that it consists of Dean or Sam's point of view are shown. This Follow-up is close to the end objective.
DC to see in the first scene are two things that are inflated to have: A shadow grating and a mirror:
Much of the plot of the first scene takes place in the mirror.
The next day, appearing as two integrity Men at Paul, the mirror fetish more clearly:
Sam's search of the bathroom is also shown in the mirror:
Twice, because I'm on so vast Sam's shadow on the wall stand ^___^
You know exactly what Sam does, but It does not happen from his perspective and you see his face here.
In the further course of the camera is not very keen to show the events from the perspective of a person. Now the Impala is to train:
Dean and Sam are shown from the Perspekive of the space they enter:
Dean is again shown by glass:
The next mirror in which Dean and Sam are shown, in their motel room:
No, there is no door ^ __ ^
If the already suggest neutrality and distance will, it will in the course of the scene even more. After Sam and Dean have been shown in mirror and glass, you see them behind a screen:
And at several times:
The shadow motif from the beginning is the showdown with Tammy again taken up:
In all rooms during the fight between Ruby and Tammy to see this shadow:
It has something of a cage: observed
(the broken glass *___*)
Awww ....
*-*
I find it very telling that Dean's involuntary, glass smashed, because in the final scenes, the camera for the first time as the subjective and Ruby from his perspective:
Sam, however, even after defeating the demon still displayed behind the shadow grid and the whole episode is nothing to show from his perspective. If the world is a cage of shadows and glass, are locked up in the good and evil, then Dean is to damn them to leave and Sam doomed to stay in it.
this purpose, the figures very interesting :
This picture screams for a simple analysis. is
Dean between room numbers 7 and 8: According to Dean is on the way from the world into hell. The 7 can symbolize many things, but in this case it is unique to the demonic (as well as the yellow light) and thus for hell.
first disappears 7 and Dean will be shown with a much more dominant 8:
But in the end is quite clear where he stands - where it has also led the conversation with Ruby final:
Sam and Dean staying in Room No. 5, that is, that the Impala is on the fifth car park. Dean and thus well before the seventh.
Apart from the interesting prospects and the symbolism of numbers, the result still tons of color symbolism:
very popular is the combination of red and green, which is committed to turning points in the plot:
The whole room is a disaster Flashing red / green:
While Dean is often shown with green and red is ...
is associated with ... Sam White:
with white and Red
If this white stands for innocence, then it probably indicates that Sam wants to be though as Dean, but it has not quite managed. Or veranschauclicht (if you include the red) that he is about to lose that innocence.
There were also several anti-Christian allusions Sam through the use of red light!:
This is immediately after Sam has said that the witches must die. Just before Dean says: "Burn Witch Burn.." !
Evil Sam *___*
The combination of yellow and red is traditionally used for the threat of danger:
And the beloved blue-yellow-red tricolor, which is usually used in key scenes, has a comeback:
Both Dean and Sam are shown in yellow light:
with the yellow is much more aggressive at Dean and makes quite clear what it alludes ...
What is very noticeable also is the use of light with respect to Ruby:
"That little, fallen angel ..."
The grip that line seem to have pretty seriously.
From symbolism with Tammy I will at this point is not smart:
is probably a coincidence, or the flower belongs to Lizzy.
But at least the symbolism here is very grateful
I think it's great that they have a similar Köperpose as the eagle has *-*
And when the makers in this have burned down the whole episode fireworks, could crack the missing, of course not and I want to say at this point that I do for such unsubtle, morbid, nasty places very dear *__*:
"Dinner was cooked Paul Arthur Dutton for you. Now you're going to eat it. "
And now I try to forget that I have seen the place with the teeth 3 times really x__x
My conclusion is : Metas are something amazing. It contributes to this, interesting to look also sometimes unnecessary details accurate and above all they give you a reason to follow the unhealthy often to watch XD
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